Showing posts with label Edward Said. Show all posts
Showing posts with label Edward Said. Show all posts
Monday, July 26, 2010
Star Wars Highbrow: Thesis Antithesis Synthesis
Joshua Glenn's final revision of my Star Wars Klein group diagram
Above is another variant on my Star Wars Klein Group Diagram. I heard from HiLoBrow.com's Joshua Glenn. turns out the first version of his Star Wars Semiotic Square I posted was pretty close to the mark, but I got some things mixed up. I left that first version up but guided by his corrections here is the final "fully functional" Joshua Glenn Star Wars Semiotic Square.
In addition to describing the square above Glenn's original post also discussed his choices for the cardinal points at some length in terms of a "highbrow-lowbrow-middlebrow-nobrow-hilobrow schema." It is a scheme he has charted elsewhere, admitting that "aesthetic and lifestyle choices aren't entirely independent of social class." Until I read Glenn's criticism it hadn't consciously occurred to me to think about lowbrow vs highbrow in any systematic way. I suppose if I thought about it at all, I figured that what I have been doing with my Star Wars & Modernism project is some sort of highbrow take on a lowbrow film, or a lowbrow take on highbrow art and architecture. In his post however Glenn calls Star Wars "George Lucas’ attempt to cobble together a middlebrow entertainment following Joseph Campbell’s template" and calls Lucas himself a sentimental middlebrow. Once he brought it to my attention, it made perfect sense, lowbrow is not the term of derision, middlebrow is. Posting on the middlebrow (Farting in Church) wet my appetite. The term turns out to be so loaded with connotations, not just of social class, but ideas about cultural and racial superiority left over from the waning years of the age of imperialism, and Star Wars is the perfect vehicle to unpack the biases shadowing the judgement of both high and low.
A diagram I made according to Joshua Glenn "highbrow-lowbrow-middlebrow-nobrow-hilobrow schema."
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Valerie Jaudon
Thursday, July 22, 2010
Farting in Church: Charting the Middlebrow
Dante Alighieri, Robert Morris, Venti III (1983)
Anyone who has ever attempted to read Dante's Divine Comedy knows all the fun stuff is in the first book - The Inferno. Hell as turns is hilarious, full of sex, lies, farting and the most cruelly scatological punishments imaginable (as I remember there was a lot more bathroom humor than blood spatter) I battered my way through the holier-than-thou geographies of Purgatory, but was stopped cold by the the totally ponderous descriptions of Paradise.
If the Modernist had designed the universe (that finally was their goal), Paradise would be just as ponderous, but the ranks of singing angels (or whatever, I really didn't read much of that book at all) would be replaced by the clean utilitarian lines that Mies van der Rohe championed as less is more and Robert Venturi mocked as 'less is a bore.'
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