Showing posts with label Judy Chicago. Show all posts
Showing posts with label Judy Chicago. Show all posts

Sunday, March 27, 2011

A Modest Proposal: Title IX MoMA's 501(c)3

Bill Bartman with Elizabeth Murray [image by Bill Zules]; Women of the 2010 Whitney Biennial

In 1999, Bill Bartman, the founder of Art Resources Transfer, told me an idea of his that I still believe is one of the best I have ever heard: art museums are 501(c)3 nonprofits, by merit of the exact same quality that makes universities eligible: they are educational institutions. Bill's idea was to sue art museums under Title IX; to force them to give female artists an equal portion of resources spent on men, in the same way universities have been forced to give women and minority students an equal share of scholarship money and then latter transformed college athletics by requiring parity in spending for women's sports. It is a dangerous idea, one that, if carried out, would transform the artworld more than any avant-garde provocateur could ever hope to.

Friday, July 16, 2010

The Killing Fields (Part 3/4): Killing Rosalind Krauss

Death and the Maiden: Rosalind Krauss, Ingmar Bergman,s The Seventh Seal, Clement Greenberg


The reason Clement Greenberg was inconsistent on the subject of sculpture is because in constructing his formalist theories he had conceptually painted himself into a corner. He insisted that the ideas in  Modernist Painting were never intended to be prescriptive, but he had successfully mapped a generation worth of artistic production, starting with Frank Stella's black painting (which he evidently didn't much like), right up through to the minimalist (who he down right disliked), and dribbling out among the earth artists (those guys were totally formalists - see PMD 2/3). That is no small achievement, even accounting for the mixed results (in Greenberg's opinion). His rejection of minimalism wasn't arbitrary - he clearly hoped to extend his influence for another decade or two.

Friday, March 26, 2010

The Future is Feminist


American Women: "There was no underwear in space."; Gail Collins

In the mania leading up to the millennial-new-years I heard someone (after a decade I cannot remember who) say that feminism would be remembered as the most important intellectual breakthrough of the 20th Century, topping heavier-than-air flight, the nuclear bomb, and dwarfing the Internet for its impact on human history. Having grown up in the immediate wake of the second-wave feminism, it stuck me at the time as a solid commonsense truth.