“I hate my job.” Cory wasn’t talking to anyone, not that anyone around her would know. They’d assume she was “on the phone.” What does that phrase mean? she wondered. Telephone language is so strange. Why isn't my phone on me? She was idly twisting her pRime, worn on her left ring-finger, as an engagement ring. Shouldn't I be "in" the phone or "over" the phone? She looked down at her pRime, as slim gold band, its polished surface broken by a series tiny rectangular apertures and a thin stem. Like a tiny erection. It was her "phone" her "computer" her "camera" ...my "secRetary." She pinched the band as hard as she could, almost as if she meant to bend it. Its everything to me, she thought with a flush of something like shame, or maybe pride. She pushed the feeling away, thought again about being on the phone - wondered how that had come to function as a statement of distanced speaking. The experience of being two places at once - "Hi, this is Cory. Where Are you?" - A physical problem solved by language. She started to compose a queRy, knowing she'd be able to find a dozen scholarly papers and probably some good lectures on the history, theory, and comparative linguistics of "telephone language" - but then stopped herself. Stay in the moment.
Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts
Wednesday, December 11, 2013
2H2K - June 2050 - Visual Remediation
Daniel Libeskind, “Leakage,” from Micromegas Drawing Series, (1979)
“I hate my job.” Cory wasn’t talking to anyone, not that anyone around her would know. They’d assume she was “on the phone.” What does that phrase mean? she wondered. Telephone language is so strange. Why isn't my phone on me? She was idly twisting her pRime, worn on her left ring-finger, as an engagement ring. Shouldn't I be "in" the phone or "over" the phone? She looked down at her pRime, as slim gold band, its polished surface broken by a series tiny rectangular apertures and a thin stem. Like a tiny erection. It was her "phone" her "computer" her "camera" ...my "secRetary." She pinched the band as hard as she could, almost as if she meant to bend it. Its everything to me, she thought with a flush of something like shame, or maybe pride. She pushed the feeling away, thought again about being on the phone - wondered how that had come to function as a statement of distanced speaking. The experience of being two places at once - "Hi, this is Cory. Where Are you?" - A physical problem solved by language. She started to compose a queRy, knowing she'd be able to find a dozen scholarly papers and probably some good lectures on the history, theory, and comparative linguistics of "telephone language" - but then stopped herself. Stay in the moment.
“I hate my job.” Cory wasn’t talking to anyone, not that anyone around her would know. They’d assume she was “on the phone.” What does that phrase mean? she wondered. Telephone language is so strange. Why isn't my phone on me? She was idly twisting her pRime, worn on her left ring-finger, as an engagement ring. Shouldn't I be "in" the phone or "over" the phone? She looked down at her pRime, as slim gold band, its polished surface broken by a series tiny rectangular apertures and a thin stem. Like a tiny erection. It was her "phone" her "computer" her "camera" ...my "secRetary." She pinched the band as hard as she could, almost as if she meant to bend it. Its everything to me, she thought with a flush of something like shame, or maybe pride. She pushed the feeling away, thought again about being on the phone - wondered how that had come to function as a statement of distanced speaking. The experience of being two places at once - "Hi, this is Cory. Where Are you?" - A physical problem solved by language. She started to compose a queRy, knowing she'd be able to find a dozen scholarly papers and probably some good lectures on the history, theory, and comparative linguistics of "telephone language" - but then stopped herself. Stay in the moment.
Friday, November 29, 2013
2H2K - May 2050 - JailbiRd
Eastern State Penitentiary (1829-1971) via Wikipedia
[This is the fifth short story in a series, the 1st story is here, the 2nd is here, the 3rd is here, the 4th here.]
The subway car was packed with campers heading for a day beach. The kids were rowdy, moving back and forth, yelling at one another in their excitement. Dean had gotten a seat at the end of the row closest to the door. This meant his back was against the side of the subway car, which was fine. But it also meant the the two boys to his right, whose seats were facing the back of the car, were crowding him with their knees. The boys were playing some sort of game that had them both slouched, jerking unpredictably, and waving their hands almost constantly.
[This is the fifth short story in a series, the 1st story is here, the 2nd is here, the 3rd is here, the 4th here.]
The subway car was packed with campers heading for a day beach. The kids were rowdy, moving back and forth, yelling at one another in their excitement. Dean had gotten a seat at the end of the row closest to the door. This meant his back was against the side of the subway car, which was fine. But it also meant the the two boys to his right, whose seats were facing the back of the car, were crowding him with their knees. The boys were playing some sort of game that had them both slouched, jerking unpredictably, and waving their hands almost constantly.
Friday, October 18, 2013
2H2K - April 2050 - tuRing
People's Meeting Dome - Kristoffer Tejlgaard and Benny Jepsen
[This is the fourth short story in a series, the 1st story is here, the 2nd is here, the 3rd is here]
David was uncrating a crew of carpenteRs when he heard a child laughing behind him. Before he could stop himself, he turned and looked for the little girl his ears were telling him was standing behind him in the yard. By the time he realized that he had once again been chumped by the Cardiff ringtone, he was staring at the empty space where the girl should be. Not only were his ears telling him exactly where she was standing (a bundle of PVC conduit where the water and electric emerged from the cement slab foundation), but the sound of the girl’s laugh allowed him to picture exactly how tall the little girl would be. It creeped him out.
Wednesday, October 2, 2013
2H2K - March 2050: WildcRaft
Boston Dynamic's "Big Dog"
“What’s it called again?” Little Jo asked.
E.J. had turned away. The back of his t-shirt was printed with the slogan “laboR wants to be FREE.” He wore baggy jean, that looked like they hadn’t been washed in weeks and heavy boots made of thick leather, or something very much like it. He was using the his heel of his boot to roll the next log out of the tall grass. Once there was enough room on either side to plant his feet, he lifted the –
“It's a ‘godevil’ or a ‘splitting maul,’” he told her, without looking back. He sounded a bit peeved at being interrupted. Jo smiled and made a sound of approval. She had gone off topic, and interrupted his train of thought, she knew what to expect. E.J. would take his time before returning to the subject. Go ahead, she thought, have a good sulk. Her smile widen.
Friday, September 27, 2013
2H2K - February 2050: The Slab
“The Falls” at Lake Las Vegas, Henderson, Nevada (2011). [Photo by Michael Light] via Design Observer
[The following is the 2nd short story in a series, the overall project is introduced here; the first story is here; the third is here]
David felt like he had an iron bar passing latterly through his chest. The bar wasn't a romantic metaphor, it was a feeling. Closing his eyes, it took shape; about as big around as his heart, and heavy. David could feel the bar’s weight, as clearly as if it were held in his hand. The most gruesome part of the bar was it’s length. It was longer than his chest was wide. Long enough that the bar extended beyond his body, protruding invisibly through his biceps. Like Frankenstein's neck bolts writ large, he thought. David knew what it was: a chill. In his mind's eye he saw it extending from the sides of his arms as two cylinders. He felt it pulling warmth from his heart, radiating it uselessly into the desert air.
Thursday, September 26, 2013
2H2K - January 2050: LoaneRs
Carnegie Library (1913)
Little Jo watched David as he barked commands at a cloud of invisible avataRs - or at least invisible to her. Her phone was dead, the only image she could see in her frames was a light indicating that they were searching for a connection. Little Jo couldn’t see what her fiancĂ© was hearing or see what he was seeing; but she could imagine: the persistently polite, but helpless, scrum of telleRs, cashieRs, and operatoRs. And even though she couldn’t see his face from where she was standing, David’s frustration filled the large front room of the rental shop.
[The following is the first of 12 short stories, introduced here.]
Little Jo watched David as he barked commands at a cloud of invisible avataRs - or at least invisible to her. Her phone was dead, the only image she could see in her frames was a light indicating that they were searching for a connection. Little Jo couldn’t see what her fiancĂ© was hearing or see what he was seeing; but she could imagine: the persistently polite, but helpless, scrum of telleRs, cashieRs, and operatoRs. And even though she couldn’t see his face from where she was standing, David’s frustration filled the large front room of the rental shop.
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