2H2K - April 2050 - Robots are Marxist: An Introduction

First horseless carriage in Vancouver (1899)

"Can't get there from here" is the punch line of an old joke about a driver asking a farmer for directions (my father used to tell it, with great effect, using a thick New England accent). There is, in linguistic circles, a question of whether or not there are certain ideas that can't be conceived of without the language needed to describe them, having been developed in advance. Call it a cognitive chicken-and-egg, can't get there from here, conundrum. As I began thinking about what city life might be like in the year 2050, I found myself wondering how people will speak of robots when everything is a robot. Just as we no longer refer to "horseless carriages," I don't expect anyone to refer to "driverless automobiles" forty years from now. Rather than invent a new word (carbot? cardroid?) or repurpose an old one (automat? autobot?) I decided instead that it made more sense to invent a new way of speaking; to have English speakers use tone to change meaning: so a driverless car became a caR, a robotic carpenter became a carpenteR, and an automated operator - like the kind we interact with more and more today - became an operatoR. What ended up happening is that my mind went in an entirely unexpected direction. Instead of thinking about questions of Artificial Intelligence, I found myself wondering about Artificial Labor. The difference is subtle but turned out to be helpful making the leap past the naysaying Yankee.

Art Then Technology (Part 5): Abstract Art Is A Technology.

Fat Bastard: end of third day of installation.
(Return to Part 4)

As a participant in an exhibition of abstract 'generative' art called abstrakt - Abstrakt, I spent nine days installing, and had a lot of time to think about the work of the other artists in the show, most of whom used or addressed the crumbling edge of digital technology, and almost all of whom evoked for me the flatfooted logic of the last great wave of abstract art, 1960s era minimalism. My work is sometimes describes as post-minimalist. I like to describe it as post-Star Wars-minimalism, but not because it's high-tech. My art is not-at-all-crumbling edge; I use no advanced technology, my design and fabrication is entirely analog, but by the time I became aware of abstraction, Modernism had been recast as the Deathstar and destroyed. Abstract artist of my generation are "late-adopters." Late adopter is a term usually reserved for technologies. My decision to take up abstraction in the mid-1990s was because abstraction is not a style, that the difference between abstract art and earlier art is not a difference in quality, it is a difference in kind. But it has only been as I've been thinking about exactly what technology is that it occurred to me that the difference is the difference between a very old technology and a relatively new one.